Canberra Critics Circle Music Awards 2008
Canberra Critics Circle.
December 9, 2008.
Canberra Critics Circle Music Awards
Canberra Critics Circle.
December 9, 2008.
Canberra Critics Circle Music Awards
Ambito Financiero, 2008.
by Eduardo Giorello.
Beethoven,Liszt, Scriabin, Chopin, De Falla y Ravel Potencia, tecnica infalible, y amplia musiclidad mostro la interprete argentina, discipula de la legendaria Haydee Loustanau, presente en la sala y a quien le fue dedicado parte del Concierto. Una impactante version de La Valse de Maurice Ravel, cerro el recital.
La Prensa
6 de Diciembre de 2008.
The Canberra Times, 2008.
by Ron Cerabona.
The Canberra Times
2008
by Janet Wilson.
CityNews, 2008.
by Helen Musa.
Canberra International Music Festival.
Magnificent Madonna !
Surrealism was in the air with the opening of the Argentinean Opera Tango Maria de Buenos Aires. Fiorillo’s conducting and piano playing were fiery.
The Canberra Times, 2008.
by W.L. Hoffmann.
Pianist fine recital !
The special qualities which made last year Beethoven and Liszt recital memorable where evidenced in the playing through this Concert recital. Marcela Fiorillo provided assuring performance whatever the demands of the music, shading her touch and coloring her technical approach to suit the music.
The Canberra Times, 2008.
by Harry White.
Pianist Marcela Fiorillo’s recital of music by Debussy and Ravel was a wonderfully programed and very well played. The Pavane and Sonatine are some of the most beautiful music, and they were played beautifully.
The Canberra Times, 2008.
by W.L.Hoffmann.
Fiorillo in full flow !
Brilliant Argentinean pianist Marcela Fiorillo, provide another Canberra concert of consummate pianism last weekend…her approach was quite breathtaking in its technical assurance and expressive power. Her playing was completely assured, sweeping aside its keyboard demands.
La Nación, 2008.
by Héctor Coda.
Recital extraordinario de la pianista Marcela Fiorillo ! En el programa ofrecido se pudo apreciar la amplitud de medios técnicos y expresivos que posee, su inquietud y versatilidad interpretativa. Se advirtió desde el comienzo, en Beethoven, una vigorosa definición conceptual y sonora.