CityNews. March 20, 2014.
by Clinton White.
Standing ovation !
Her recital drew conclusively on all of those qualities in a thoughtfully constructed program, which included the world premiere of her own composition, commissioned by the Weereewa Festival Committee, “ Suite Weereewa,Op 3”. The sustained standing ovation was testament to its consummate success.
The Canberra Times, 2014.
by Jennifer Gall.
Spiritual: Marcela Fiorillo’s playing was vibrant and evocative!
… Fiorillo demonstrated that despite her slight build, she is technically capable of mastering the demanding physicality of these scores, which is necessary to unlock the musical meaning.
The most important event of the evening was the premiere of Fiorillo’s Suite Weereewa op.3. Fiorillo has created a work that will live on.
The Canberra Times
June 2012
by Philip O’brien.
6.30 – 8 pm. 7 June, 2012.
The Australian National Centre for Latin American Studies and the Embassy of the Argentine Republic present: A lecture at the piano by Marcela Fiorillo
The Canberra Times
September 24, 2011
by Jennifer Gall.
Haunting power in peace performance !
Fiorillo brought characteristic intensity to her interpretation of the Nocturne. The final chord shimmered with a delicate strength. Evocative: Marcela Fiorillo’s performance in Quartet for the End of Time emphasized underpinning descending sequences of piano chords.
The Canberra Times, 2011.
by Jacqueline Williams.
The Chronicle, 2011.
by Joni Scanlon.
The Canberra Times, 2011.
by Jennifer Gall.
Marcela Fiorillo approach the work with reverence and assurance. This lucid interpretation was sustained in the Adagio Cantabile , creating a true tranquility before the Rondo-Allegro. Fiorillo’s expertise in managing definition between dynamics kept the light and shade balanced with the physical energy of the final movement.
The Canberra Times
2010
by Janet Wilson.
The Canberra Times, 2010.
by Harry White.
